I’m
gonna play the high class joints,
I’m
gonna play the low class joints’
And
I’m even gonna play the honky tonks.”
From
“I’m Gonna Play The Honky Tonks” by Bobby Bland
Further
On Up the Road
A
Farewell to Bobby “Blue” Bland
By
Rev. Billy c. Wirtz
He
never became a household name like his best friend and former band mate B.B.
King did.
Ask
folks on the street and one in fifty might know the name, but one of America’s
greatest singers and Blues artists passed away last night (June 23, 2013) at the age of
83.
Bobby
“Blue” Bland was born Robert Calvin Bland in January 16, 1930 in the crossroads
town of Rosemark, Tenn.
His
musical career began like most Black singers of that era in the church. Till the
end of his days he would still love the hard driving, impassioned screams of
Archie Brownlee and The Original Five Blind Boys Of Mississippi and the
transcendent, other-worldly harmonies of the old school quartets like The
Highway Q.C.’s, The Caravans and The Soul Stirrers (the group that gave us Sam
Cooke and Johnny Taylor).
His
own career began with The Beale Streeters (a group that included Johnny Ace,
Roscoe Gordon and B.B. King!!) in 1952 with I.O.U.
Blues.
Back
in the early fifties when he first recorded, Blues was still characterized by a
coolness and detachment on the part of the singer. Bland brought the fire of the
pulpit to the stages of the Apollo, The Howard and a thousand forgotten juke
joints along the Chitlin Circuit.
He
would go on to record a string of number one hits through the fifties, sixties,
seventies and even into the eighties.
As
Rock historian Bill Dahl says: “He earned his enduring blues superstar
status the hard way: without a guitar, harmonica, or any other instrument to
fall back upon. “All Bland had
to offer was his magnificent voice, a tremendously powerful instrument in his
early heyday, injected with charisma and melisma to spare. Just ask his legion
of female fans, who deemed him a sex symbol late into his
career.”
(By
the way, melisma (muh-liz-muh) is the singing of a single syllable while moving
between several notes.)
Melisma
is THE essence of Soul music, the old Gospel and Blues singers would call it
“worrying” a word.
No
one ever worried a word like “Blue,” listen to his version of the classic “St.
James Infirmary,” and see if chills don’t run down your
spine.
His
Style
Bobby
Bland’s characteristic “squall” came as result of his devotion to the preaching
of Rev. C.L. Franklin whom he listened to Sunday nights on radio station WLAC
from Nashville, Tn. back in the day.
Franklin
used the squall to dramatic effect on his legendary sermon: “The Eagle Stirreth
Her Nest.” Not only Bland, but the legendary Joe Ligon from the Mighty Clouds of
Joy would incorporate it into their own styles with great
success.
You
can hear it on such classics as “Turn on Your Love Light,” “I Pity the Fool,”
and “Further on up the Road,” songs that remain as a benchmark by which great
Rhythm and Blues are measured.
Bland
was not only a talented singer, he was an artistic visionary; his album “Two
Steps From The Blues” recorded in 1961, stretched the boundaries of, and brought
a sophistication, to a music thought by many, to be a simplistic throwback to
the old days and old ways.
The
cover itself, with the green Gator kicks, and that million dollar process
defined a lifestyle for young Black men in the fifties and sixties. Bland sang
the Blues, but he sang them with class.
Later
Career
Unlike
B.B. King, Robert Johnson, and Muddy Waters, Bland as not often cited by the
Rolling Stones, Eric Clapton and the other British revivalists of the sixties as
being influential, and around that same time his own hits began to
fade.
He
struggled along through the seventies and eighties, but managed to hang on long
enough to benefit from the second great Blues revival of the late
Eighties.
Along
with his lifelong fans in the Deep South, he made new ones at major festivals,
was inducted into the Rock ‘N’ roll Hall of Fame in 1992, and starred on the
weeklong Legendary Rhythm And Blues Cruise in October of
2011.
He
passed away Monday at the age of 83.
-Bobby
“Blue” Bland:
-Took
the old time country Blues and dressed in a sharkskin suit.
-Took
the spirit and fire of Sunday morning and sang it in places that were open on
Saturday night.
-He
warned us: “They call it Stormy Monday (But Tuesday’s Just as Bad);” a cold shot
of reality in the early Sixties world of The Singing
Nun.
Legacy:
He
made countless great records, singing everything from Country to Pop to Blues,
he delivered them with a feeling, passion and world weariness that told you he’d
been there.
The
Blues has always been Black America’s street philosophy, from Robert Johnson to
Muddy Waters to Bobby Bland; it’s a simple style often masking much deeper
truths in the lyrics of everyday life. It’s often called the original music, a
universal language, simple and at the same time and profound. Its rhythm reminds
us of how wonderful is to be human, and the words, especially when sung by
artists like Bobby Bland, help us to make it through another
day.
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