Saturday, October 17, 2026

Thinking About Visiting Central America? A Private Home in Nicaragua and Plenty to Explore!

A Private Home, a Comfortable Base, and Plenty of Opportunities to Explore!

For friends and acquaintances who have considered visiting Central America, here's an opportunity worth exploring!

When I'm traveling, I plan to make my home in Las Colinas, Managua, available for short-term stays, generally around two weeks, exclusively to people I personally know.

THE LOCATION, PROPERTY AND ACCOMMODATIONS

The house, Casa Sin Drama, is located in Las Colinas, one of Managua's established upscale residential neighborhoods, home to numerous foreign embassies and diplomatic residences. The neighborhood is generally considered one of the city's safer residential areas, making it an appealing location for international visitors.

The spacious, gated property features five private, stand-alone houses and a grand old family residence converted into a nine-room guesthouse. The property offers 24-hour security, a swimming pool, limited restaurant and bar services, and is within a short walking distance of numerous restaurants, shops, and destinations of interest.

My fully furnished, private house includes:

  • Two bedrooms with air conditioning
  • One bathroom, living room, and equipped kitchen
  • Reliable Wi-Fi and secure parking (although car rental is not recommended)
  • Access to the shared guesthouse amenities
  • An English-speaking Nicaraguan property manager serving as the local contact

A HOME BASE FOR EXPLORING NICARAGUA

Las Colinas is conveniently located for exploring Nicaragua, offering numerous day-trip opportunities and a comfortable starting point for longer excursions.

Some nearby destinations include:

  • Pacific Coast Beaches — Approximately 1 hour and 15 minutes: Beaches, coastal communities, restaurants, and Pacific Ocean scenery.
  • Historic Colonial Granada — Approximately 1 hour and 30 minutes: Colonial architecture, cathedrals (Catedral de Nuestra Señora de la Asunción dates back 500 years to its original foundation in 1525, though the current neoclassical structure is much newer), markets, restaurants, cultural attractions, and nearby natural destinations.
  • Volcanic Crater Lakes — Approximately 1 hour and 15 minutes: Freshwater swimming, scenic surroundings, lakeside restaurants, and resort amenities.
  • Beyond the Immediate Area: Volcanoes, nature reserves, traditional towns, markets, and opportunities for extended trips throughout Nicaragua.

LOCAL EXPERIENCE AND CONNECTIONS

Having spent considerable time in Nicaragua, I've personally visited many of these destinations and can share firsthand experiences and recommendations. Established local connections for transportation, excursions, and regional destinations can also help visitors plan their adventures.

The English-speaking Nicaraguan property manager provides a dependable local contact throughout the stay.

EASY ACCESS FROM THE UNITED STATES

The house is approximately 30 minutes from Managua's international airport, with nonstop flights available from:

  • Miami: Approximately 2 hours and 45 minutes
  • Houston: Approximately 3 hours and 20 minutes

A DIFFERENT KIND OF VACATION

This isn't an organized tour or a conventional hotel vacation. It's an opportunity to experience Nicaragua at your own pace, whether exploring the countryside, visiting local communities and restaurants, taking extended excursions, or simply relaxing at the house and pool.

A two-week stay offers plenty of flexibility to explore without the expense and inconvenience of constantly changing accommodations.

AVAILABILITY AND COST

The house will be available only when I'm traveling, with accommodations offered exclusively to friends and personal acquaintances.

I'm considering a private rental arrangement of approximately $500 for a two-week stay, intended primarily to help offset the costs of maintaining the property.

This is not a publicly advertised vacation rental, and availability will be limited.

If Central America or Nicaragua has been on your list of places to visit, this could be an affordable and convenient opportunity to turn that interest into an actual trip.

Anyone I personally know who may be interested is welcome to contact me directly to discuss availability, travel possibilities, and arrangements.

AN ADDITIONAL CONSIDERATION: DENTAL CARE

Based on personal experience, Nicaragua may also offer an opportunity for substantial savings on dental care compared with prices in the United States. For someone considering significant dental work, the difference in cost could potentially cover much or even all of the expenses associated with a two-week visit, including transportation and accommodations. Actual savings will depend on the procedures required, the provider selected, and individual travel costs. As with dental care anywhere, qualifications, treatment plans, and costs should be carefully evaluated in advance.

Friday, October 16, 2026

Orlando Jazz Orchestra in Concert at Ormond Beach Performing Arts Center Saturday, October 24, 2026

 Celebrate America’s Swing Era!
Saturday, October 24, 2026 | 7-9p
ORLANDO JAZZ ORCHESTRA
AT
Ormond Beach Performing Arts Center
399 US-1, Ormond Beach, FL 32174
MAP | WEBSITE | (386) 610-0600
FACEBOOK EVENT - Invite your friends!

The Orlando Jazz Orchestra, featuring vocalist Amy Zahniser Parnell, presents A Night to Swing! at the Ormond Beach Performing Arts Center on Saturday, October 24, 2026, at 7 p.m.

The concert celebrates America's Swing Era and the Great American Songbook with music associated with Duke Ellington, Count Basie, Glenn Miller, Benny Goodman, Tommy and Jimmy Dorsey, Harry James and Artie Shaw. Vocal selections include songs made famous by Ella Fitzgerald, Peggy Lee, Rosemary Clooney, Doris Day and Helen O'Connell.

About the Orlando Jazz Orchestra

Often described as the "crown jewel" of Central Florida's professional jazz scene, the Orlando Jazz Orchestra (OJO) performs classic big band arrangements with full brass, saxophone and rhythm sections, ensemble passages and featured instrumental solos.

OJO was founded by drummer and music director Greg Parnell, whose career includes touring with the Glenn Miller Orchestra as both drummer and road manager, as well as performances with the Jimmy Dorsey, Tommy Dorsey, Les Brown and Nelson Riddle orchestras. A Sanford, Florida, resident and president of Glenn Miller Productions, Inc., Parnell brings firsthand experience with historic touring big bands to the orchestra's performances.

Featuring Vocalist Amy Zahniser Parnell

Amy Zahniser Parnell joins OJO to interpret songs associated with the leading female vocalists of the Swing Era. Her performance reflects the important role singers played alongside big bands, bringing lyrics, phrasing and individual interpretations to orchestral arrangements. These standards remain part of today's jazz and popular vocal repertoire, including the work of contemporary performers such as Diana Krall and Michael Bublé.

About the Venue and Concert Producer

The Ormond Beach Performing Arts Center, at 399 North U.S. Highway 1 in Ormond Beach, serves Volusia County and surrounding communities with concerts, theater and cultural programming. The facility completed a $1.7 million renovation in 2024.

The concert is produced by Positively Florida Inc., a Volusia County-based 501(c)(3) nonprofit arts organization founded by Gary Broughman. Since 2010, it has presented concerts, cultural programs and more than 20 theatrical productions at regional venues, including the Ormond Beach Performing Arts Center, Atlantic Center for the Arts and the News-Journal Center. Its programs also include the New Spirit Café concert series at Atlantic Center for the Arts in New Smyrna Beach, featuring professional musicians and jazz performances. Additional information is available at https://positivelyflorida.com/.




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Supporting the Music Community — Understanding the Business Behind Jazz Blues Florida

SUPPORTING THE MUSIC COMMUNITY — AND THE BUSINESSES THAT SUPPORT IT

For many years, Jazz Blues Florida has provided professional, high-value promotional services at exceptionally affordable rates, helping artists, venues, festivals, and music organizations throughout Florida reach audiences interested in live jazz and blues.

Keeping those services affordable has always been an important part of our business approach. It is also one of the ways Jazz Blues Florida contributes to the sustainability of Florida's live music communities.

But affordability should not be confused with an ability or obligation to provide services without compensation.

Jazz Blues Florida is an independently operated, privately funded promotional business, not a charitable organization, grant-funded arts program, or publicly funded publicity service. Like the artists, venues, and organizations we serve, we have operating expenses, professional responsibilities, and financial obligations.

We regularly receive requests to contribute to fundraising campaigns, promote new recordings, publicize Grammy consideration campaigns, and distribute announcements from artists and organizations that have not established a client relationship with Jazz Blues Florida.

We recognize and respect the effort, expense, and personal commitment involved in these projects. We also recognize that everyone must make decisions about how to allocate their available resources.

The same consideration must extend to Jazz Blues Florida.

Professional Connections and Personal Relationships

There is also an important distinction between professional relationships and personal friendships. Over the years, Jazz Blues Florida has developed connections with thousands of artists, industry professionals, and organizations. Those connections are appreciated, but they should not be confused with personal friendships or an expectation of personal financial support.

Requests for personal contributions to fundraising campaigns, charitable causes, and individual projects are decisions for each person to make based on their own relationships, priorities, and resources. A professional connection, social media association, or inclusion on a mailing list does not, by itself, establish a personal relationship or an obligation to contribute.

The same principle applies to requests for funds, complimentary publicity, or other professional services from Jazz Blues Florida.

Promotion Is a Legitimate Business Expense

When an artist or organization budgets for recording, production, touring, or other professional expenses, promotion is also a legitimate business expense. Choosing not to allocate resources for promotion does not create an obligation for another business to provide it without compensation.

Jazz Blues Florida has deliberately maintained affordable pricing to make professional promotion accessible to artists and organizations operating with a wide range of budgets. The value delivered through those services extends well beyond their modest cost.

Providing substantial promotional value at affordable rates is already a meaningful contribution to the music scene. It should not create an expectation that those services will also be provided free of charge.

Respecting the Businesses That Make This Possible

Revenue earned from artists and organizations that support Jazz Blues Florida through paid client relationships must sustain our operations and fulfill our commitments to those clients. It is not available to subsidize projects and promotional requests from those who do not.

Our public visibility and long-standing presence in the music community should not be mistaken for an unlimited capacity to provide financial or promotional support.

Just as artists deserve compensation for their performances, recordings, and professional work, the businesses providing services to the music industry deserve compensation for theirs.

We appreciate the artists, venues, festivals, and organizations that recognize the value of our work and maintain professional relationships with Jazz Blues Florida. Their participation allows us to continue providing an accessible, affordable, and established promotional resource for Florida's live jazz and blues communities.

Supporting the music community is what we do. Providing professional promotional services is how we do it. Maintaining a sustainable business is what makes that continued support possible.

Professional consideration and support must work in both directions.

For information about Jazz Blues Florida and our affordable promotional services, please visit www.JazzBluesFlorida.com.


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Florida-Connected Blues Artists Represented on The Big Blues Chart USA Top 50 for September 2026

PSA  CHART


Florida-connected blues musicians Albert Castiglia, Kat Riggins, and Jason Ricci are represented in The Big Blues Chart USA Top 50 Blues Albums for September 2026.

The monthly chart reports blues album radio activity in the United States and publishes a separate Canadian ranking.

Florida-Connected Artists

#20 — Albert Castiglia — GRITS & GLORY

Castiglia grew up in Miami after moving to Florida from New York at age five. He developed his early blues career in South Florida, including performing with the Miami Blues Authority.

#23 — Kat Riggins & Her Blues Revival — EVERYDAY IS SATURDAY

Born and raised in Miami, Riggins developed her musical background and early performing career in South Florida. She studied at Barry University and began performing professionally in the Miami area before establishing an international blues career.

#31 — Jason Ricci & The Bad Kind — 13 HOURS

Ricci has a documented professional history in South Florida, where he spent approximately three years performing and working with regional blues musicians before continuing his national career.

Friends and Clients of Jazz Blues Florida

Six additional artists recognized as Friends and Clients of Jazz Blues Florida also appear on the September USA Top 50:

#11 — John Primer — TRIBUTE TO THERESA'S LOUNGE

#16 —Janiva Magness— TRUTH IN THE ROOM – THE CLEARMOUNTAIN SESSIONS (LIVE)

#34 — Tas Cru — MIGHT GIVE OUT... BUT I WON'T GIVE IN

#39 — The Boneshakers — PULL UP THE ROOTS

#41 — Shaun Murphy — BRAND NEW BLUES

#47 — Brigitte Purdy — MOTHER OF THE CROSSROADS

The September chart reflects radio airplay for Florida-connected blues musicians and additional artists with established relationships with Jazz Blues Florida.

The September 2026 USA chart is at: https://thebigblueschart.com/



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Thursday, October 15, 2026

Living Blues Radio Chart – Florida Artists – September 2026

Jazz & Blues Florida congratulates these Florida-related artists represented on the Living Blues Radio Chart for September 2026 at https://livingblues.com/living-blues-radio-chart-september-2026/. The monthly chart reflects radio airplay reported by blues radio programmers and stations contributing to the Living Blues chart.

The Jazz & Blues Florida review identified documented Florida connections among artists appearing on the September 2026 chart. Florida connections are limited to documented birth, upbringing, education, residency, Florida-based ensembles or organizations, university faculty appointments, or other substantial long-term professional ties to the state.

#15 Albert Castiglia – Grits & Glory – Raised in Miami from age five and began his professional blues career with Miami Blues Authority. Current Florida resident. 

#19 Kat Riggins & Her Blues Revival – Everyday is Saturday – Born in Miami, Florida, and began performing professionally in South Florida, including an early regular blues and jazz engagement in Sunny Isles Beach. 

Friends/Clients of Jazz Blues Florida Represented on the Living Blues Radio Chart – SEPTEMBER 2026 

#11 Janiva Magness – Truth in the Room – The Clearmountain Sessions (Live)

#17 John Primer & Friends – Tribute to Theresa’s Lounge 

Source: Living Blues Radio Chart – September 2026

About the Living Blues Radio Chart: The monthly Living Blues Radio Chart reflects airplay reported by blues radio programmers from stations and programs throughout the United States and internationally. Living Blues compiles the playlists submitted by participating radio programmers and ranks current blues releases according to their reported airplay for the month. The chart measures radio exposure—not record sales, streaming totals, downloads, or listener voting—and is published by Living Blues Magazine as a monthly snapshot of recordings receiving significant blues-radio airplay. Living Blues describes its chart as a compilation of playlists from blues radio programmers throughout the world.

#JazzBluesFlorida #LivingBlues


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Wednesday, October 14, 2026

Jazz Journalists Association Announces Free Professional Development Program for Emerging Jazz Journalists

EDU PSA

October 24 Information Session Introduces 2027 Arnold Jay Smith Fellowships

The Jazz Journalists Association (JJA) has announced its inaugural Arnold Jay Smith Intergenerational Professional Development Fellowships, a free online educational program for emerging and aspiring jazz writers, photographers, broadcasters and digital media producers.

The program will consist of nine online seminars, held every other Saturday from January 16 through April 24, 2027. Participants will engage with established jazz media professionals on journalism practices, research, publishing, broadcasting, photography, career development and the documentation of jazz.

Participating professionals include Frank Alkyer, former publisher and editor of DownBeat; Nate Chinen, editorial director of WRTI; author and jazz historian Ashley Kahn; broadcaster and producer Mark Ruffin; publicist Lydia Liebman; and other experienced members of the jazz media community.

Selected fellows will participate in discussions and complete assignments between sessions, with potential opportunities to have their work published through JJA News or presented through the organization's podcast and video platforms.

JJA will host a free Zoom information session on Saturday, October 24, 2026, at 2 p.m. Eastern Time. The session will introduce the program, participating professionals and application process. Advance registration is required.

Applications for the 2027 fellowship program will become available October 24.

Named in recognition of jazz writer, publicist and educator Arnold Jay Smith, the program is supported through funding from the Jazz Foundation of America.

Emerging and aspiring jazz media professionals interested in participating are encouraged to review the program announcement and application requirements. Applicants outside the United States should confirm international eligibility directly with JJA.

 CLICK HERE FOR PROGRAM INFORMATION AND REGISTRATION:

CONTACT: President@JazzJournalists.org

ABOUT THE JAZZ JOURNALISTS ASSOCIATION

The Jazz Journalists Association is an international professional organization supporting journalists, photographers, broadcasters and other media professionals who document and report on jazz. Its activities include professional development, educational programs, industry recognition and resources supporting jazz journalism.




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Tuesday, October 13, 2026

Jacksonville (FL) Jazz Society Announces 2026 Wayne Barlow Scholarship Recipients

EDU PSA

Two Florida Jazz Musicians Receive Awards for Continuing Music Education

The Jacksonville Jazz Society (JJS) has announced trumpeter Jayden Titus and saxophonist Geovani Prats as recipients of its 2026 Wayne H. Barlow Scholarship Awards, recognizing two developing Florida jazz musicians pursuing higher education and careers in jazz performance and education.

The awards were presented in connection with the Society's 14th Annual Wayne Barlow Scholarship Fundraiser, held Saturday, August 29, 2026, at the University of North Florida's Adam W. Herbert University Center in Jacksonville. Saxophonist Marcus Click was the featured musical performer for the fundraising event.

Established in 2012, the Wayne H. Barlow Scholarship Fund provides individual $2,500 scholarships to qualifying students pursuing jazz studies, supporting their continued musical training and academic development.

MEET THE 2026 SCHOLARSHIP RECIPIENTS

JAYDEN TITUS — JAZZ TRUMPET

Originally from Fort Lauderdale and more recently based in the Tampa Bay area, Jayden Titus is a jazz trumpeter and composer beginning graduate studies at the University of North Florida School of Music. He earned his bachelor's degree in Jazz Studies at the University of South Florida and is pursuing a Master of Music in Music Performance with a concentration in Jazz Studies.

Titus developed his interest in jazz while in seventh grade, inspired by listening to Miles Davis' Miles Ahead album. His musical influences include trumpeters Kenny Dorham, Clifford Brown, Roy Hargrove, and Marquis Hill, reflecting an appreciation for both the traditions of jazz trumpet and contemporary approaches to improvisation and composition.

With more than a decade devoted to studying and performing jazz, Titus continues developing his individual musical voice through performance, composition, and advanced education. His move to Jacksonville represents the next stage of his academic and professional development.

GEOVANI PRATS — SAXOPHONE

Geovani Prats, a South Florida native, is a third-year Jazz Studies student at the University of North Florida, studying saxophone under Todd DelGiudice.

Prats' musical development has been influenced by guidance and mentorship from musicians Billy Cofrances, Mark Green, and Al Hager. Their instruction has contributed to his technical development, musical understanding, and continuing interest in jazz performance.

Following completion of his undergraduate education, Prats plans to pursue additional studies with the goal of teaching music at the collegiate level. His long-term objectives include sharing his musical knowledge and providing mentorship to future generations of musicians.

ABOUT THE WAYNE H. BARLOW SCHOLARSHIP

The Wayne H. Barlow Scholarship was established in 2012 by Jacksonville Jazz Society co-founders Wayne H. Barlow and Na'im Rashid, who recognized the importance of supporting young musicians through jazz education.

Named in honor of the late Wayne H. Barlow, the scholarship program provides financial assistance to deserving high school seniors and college students whose educational pursuits emphasize jazz performance and studies.

The Jacksonville Jazz Society awards individual scholarships of $2,500 through its annual scholarship program, with recipients recognized at its fundraising event.

Scholarship applications are made available annually through the Society's website. Students who are not selected may apply again in subsequent years, while recipients are limited to one Wayne H. Barlow Scholarship award during their lifetime.

The program represents an ongoing investment in Florida's developing jazz musicians, providing financial support for advanced training while encouraging the continuation of jazz performance, composition, and music education.

ABOUT THE JACKSONVILLE JAZZ SOCIETY

Founded in 2009, the Jacksonville Jazz Society is a volunteer-operated, 501(c)(3) nonprofit membership organization dedicated to the preservation, promotion, and presentation of traditional and contemporary jazz.

The Society supports live jazz performances, broadcasts, educational initiatives, and collaborations with music organizations, schools, and colleges throughout Florida.

Through its scholarship program and community activities, the organization works to expand educational opportunities, encourage public appreciation of jazz, and support the development of future performers and educators.

Jacksonville Jazz Society
Website: https://www.jacksonvillejazzsociety.org/
Scholarship Information: https://www.jacksonvillejazzsociety.org/wbs/
Scholarship Applications: https://www.jacksonvillejazzsociety.org/wbs/application/
Email: JacksonvilleJazzSociety@gmail.com

Source: Jacksonville Jazz Society — 2026 Wayne Barlow Scholarship Recipients and Wayne H. Barlow Scholarship Program.



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WHAT DOES IT COST TO ATTEND THE 2027 INTERNATIONAL BLUES CHALLENGE IN MEMPHIS?

The Blues Foundation's International Blues Challenge (IBC) takes place January 19–23, 2027, in Memphis, Tennessee. For those considering attending, here's a preliminary budget for one person, based on four nights of hotel accommodations and five days of activities.

ESTIMATED EXPENSES (USD):
International Blues Challenge Pass — $125.00
Keeping the Blues Alive (KBA) Awards — $80.00
Assigned Seating Upgrade for Saturday's Finals at the Orpheum Theatre — $30.00
Event Hotel Accommodations (4 nights) — $1,250.13
Food & Beverages (5 days) — $280–$410
Hotel Parking, if driving (4 nights × $26) — $104.00
Sightseeing and Other Activities — To Be Determined

    Blues Hall of Fame Museum — $15.00
    Sun Studio Guided Tour — $20.00
    Stax Museum of American Soul Music — $20.00
    Memphis Mojo Music Bus Tour — $40.00
    Memphis Rock 'n' Soul Museum — $16.00

Airfare & Ground Transportation OR Driving Expenses — To Be Determined
ESTIMATED TOTAL: $1,765.13–$1,895.13 BEFORE TRANSPORTATION, PARKING, SIGHTSEEING AND INCIDENTAL EXPENSES.

With hotel parking included, the estimated total increases to $1,869.13–$1,999.13, before travel and additional activities.
The biggest variable is transportation. Airfare, airport transfers, or the cost of driving to Memphis will depend on the attendee's starting location and travel arrangements.

This is a preliminary planning budget, not an all-inclusive package price. Actual expenses will vary depending on accommodations, dining choices, transportation, and additional activities. For blues fans planning to spend several days attending the IBC, these figures provide a starting point for determining the overall cost of the experience.

LODGING NOTE: Staying at the official event hotel is not required. More affordable accommodations may be available elsewhere in Memphis, although additional ground transportation and parking expenses should be factored into the overall budget when comparing lodging options.

Information on 2027 Florida Representation at IBC HERE.



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Monday, October 12, 2026

Faena Jazz Series in Miami Beach Celebrates Latin Jazz with Sammy Figueroa & Aymée Nuviola — October 21, 2026

Two Grammy-Recognized Artists, One Evening of Latin Jazz
Wednesday, October 21, 2026 | 8 PM
Sammy Figueroa 
& Aymée Nuviola
A Celebration of Latin Jazz
at
Faena Theater
3201 Collins Avenue • Miami Beach, FL 33140
MAP  |  WEBSITE
Box Office: (786) 655-6500
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Faena Live continues its 9th Annual Faena Jazz Series on Wednesday, October 21, 2026, with A Celebration of Latin Jazz featuring Grammy-winning Cuban vocalist Aymée Nuviola and multiple Grammy and Latin Grammy nominated percussionist Sammy Figueroa at the intimate Faena Theater in Miami Beach. The evening brings together two internationally recognized artists for a program celebrating the musical connections among Miami, New York, Cuba, and Puerto Rico. The audience will enjoy a tour of Latin jazz featuring compositions by Mongo Santamaria, Dizzy Gillespie, Michel Camilo, and others. The program will be performed by some of the finest musicians in jazz today.

The concert opens with Sammy Figueroa & His Latin Jazz Explosion, the twice Grammy-nominated ensemble led by the Bronx-born, Puerto Rico-raised percussionist. A longtime presence in both jazz and Latin music, Figueroa has built an extensive career performing and recording with internationally recognized musicians, including Miles Davis, Sonny Rollins, and Herbie Mann.

After establishing himself as a leading percussionist in New York, Figueroa relocated to South Florida in 2001, where he found a thriving community of Latin jazz musicians representing Cuba, Venezuela, Brazil, Colombia, and other countries. That environment helped inspire the formation of his Latin Jazz Explosion, an ensemble combining Afro-Caribbean rhythms, jazz improvisation, and original compositions.

Figueroa's recordings ...And Sammy Walked In and The Magician both received Grammy nominations for Best Latin Jazz Album. His career also includes international touring with saxophonist Sonny Rollins and years of work as a recording and performing percussionist. South Florida listeners also know him as the host of Social Music with Sammy Figueroa on Miami's WDNA 88.9 FM.

Aymée Nuviola, known internationally as La Sonera del Mundo, brings a musical background deeply rooted in Cuban traditions, including son, bolero, and the expressive vocal style known as filin. Born in Havana and trained as a classical pianist, composer, and vocalist, Nuviola has developed a career incorporating traditional Cuban music, Latin jazz, salsa, and contemporary musical influences.

Her recording achievements include the Grammy Award for Best Tropical Latin Album for A Journey Through Cuban Music and Latin Grammy recognition for her recordings. She has also collaborated extensively with acclaimed Cuban jazz pianist Gonzalo Rubalcaba, including their Grammy-nominated recording Viento y Tiempo — Live at Blue Note Tokyo.

Following the opening set by the Latin Jazz Explosion, Nuviola and Figueroa will join forces to perform selections from their Latin Grammy-nominated album Searching for a Memory (Busco Tu Recuerdo). Released in 2023, the recording pays tribute to the music of Figueroa's father, Puerto Rican singer Charlie Figueroa, whose interpretations of boleros helped establish his musical legacy.

The album reimagines those classic songs through contemporary Latin jazz arrangements, incorporating elements of Cuban son, samba, cha-cha-chá, plena, bomba, and danzón. The recording features Nuviola alongside pianist and musical director Gonzalo Rubalcaba, with contributions from internationally recognized jazz musicians including Miguel Zenón and John Daversa. The project received a 2024 Latin Grammy nomination for Best Jazz/Latin Jazz Album.

The October 21 concert brings this collaboration to the stage, connecting the music of an earlier generation with the improvisational approaches and rhythmic traditions of contemporary Latin jazz. 

As the second presentation of the 2026–2027 Faena Jazz Series, A Celebration of Latin Jazz highlights the musical traditions and artistic relationships linking South Florida with the broader Caribbean and international jazz communities. The performance offers Miami Beach audiences an opportunity to hear two established artists whose careers reflect the continuing influence of Cuban and Puerto Rican music on jazz.

Curated and produced by Grammy-nominated producer Rachel Faro, the ninth annual Faena Jazz Series continues through June 2027, presenting internationally recognized jazz artists at the Faena Theater

Featured Artists & Band:
Sammy Figueroa: Percussion
Aymée Nuviola: Vocals
The Latin Jazz Explosion:
    Bill O'Connell: Piano
    Agustin Conti: Bass
    Ludwig Afonso: Drums
    Felipe Lamoglia: Saxophone
    Cisco Dimas: Trumpet.
UPCOMING PERFORMANCES - 2026–2027 SEASON
Wednesday, November 25, 2026: Reginald Policard with Special Guest Jean Caze

Pianist and composer Reginald Policard is a representative of modern Haitian jazz. The leader and founder of Haiti’s Caribbean Sextet, Policard has released 17 solo albums. Joining him is Haitian American trumpeter Jean Caze, who has performed with Herbie Hancock, Al Jarreau, Roy Hargrove, Arturo Sandoval, and George Duke. Caze has also toured worldwide with Michael Bublé as a featured soloist. His music blends Haitian heritage with American jazz influences.

Wednesday, December 9, 2026: Etienne Charles presents A Creole Christmas

Trinidadian trumpeter, percussionist, and composer Etienne Charles returns to Faena Theater with A Creole Christmas. Charles and his band Creole Soul will reimagine traditional selections from Caribbean, American, and European holiday songbooks. The program includes holiday favorites, Venezuelan parang, regional seasonal songs, American gospel, and variations on selections from Tchaikovsky’s Nutcracker Suite.

Thursday, January 14, 2027: Bebel Gilberto

In collaboration with the South Beach Jazz Festival. Ticket Information.

Bebel Gilberto combines bossa nova with contemporary electronic sounds. The daughter of João Gilberto and singer Miúcha, and niece of Chico Buarque, she has developed a career through her original compositions and performances. Gilberto will appear solo in a first-time collaboration with the Faena Jazz Series. Her performance will also serve as the debut concert for the South Beach Jazz Festival.

Wednesday, February 24, 2027: Nicole Zuraitis

The Faena Jazz Series welcomes back Grammy-winning vocalist Nicole Zuraitis. Since her February 2024 appearance at Faena Theater, she has received two Grammy Awards and appeared at the Newport Jazz Festival, Melbourne International Jazz Festival, Saratoga Jazz Festival, Ronnie Scott’s, and Tanglewood, as well as New York venues including Dizzy’s Club, Birdland, and the Blue Note.

Wednesday, March 3, 2027: Danielle Angrand featuring Shelly Berg

The Faena Jazz Series introduces vocalist Danielle Angrand in her first official public concert. A recent graduate of New World School of the Arts and a recipient of the YoungArts First Prize in Vocal Jazz, Angrand will be accompanied by pianist Shelly Berg.

Wednesday, April 7, 2027: VARI (Varijashree Venugopal)

VARI (Varijashree Venugopal) draws on Carnatic Indian music and jazz in her performances. She received a Grammy nomination for her recording of “A Rock Somewhere” with Jacob Collier and Anoushka Shankar. She has also collaborated with Michael League and Snarky Puppy, appeared at Miami’s GroundUP Music Festival, and recorded for GroundUP Music.

Wednesday, May 12, 2027: Pablo Ziegler Jazz Tango Trio

Argentine pianist, composer, and arranger Pablo Ziegler brings his Jazz Tango Trio to Faena Theater. For more than a decade, Ziegler performed in Astor Piazzolla’s quintet and appeared on recordings including Tango: Zero Hour, La Camorra, and Central Park Concert. He later led his own ensembles and won a Grammy Award for his album Jazz Tango.

Ziegler has performed at Royal Albert Hall, Carnegie Hall, Lincoln Center, Ravinia Festival, SFJAZZ, the Montreal Jazz Festival, New York’s Blue Note, and Birdland, among other venues. He has also taught masterclasses at Yale University, Harvard University, New England Conservatory, Berklee College of Music, and Eastman School of Music.

Wednesday, June 16, 2027: Nicole Henry

Nicole Henry began as a Miami-area artist and has gone on to perform at festivals and headline shows in 20 countries. Her repertoire includes the American Songbook, classic and contemporary jazz, popular standards, blues, and original music.

Henry has raised more than $1.25 million for local Miami charities and served on the boards of the Miami Music Project, YoungArts, the Miami Children’s Initiative, and the Florida Chapter of the Recording Academy. Her philanthropic work includes a yearly benefit for the Children’s Trust. On four occasions, the mayors of Miami Beach and Miami-Dade County have declared February 17 “Nicole Henry Day.” Her performance closes the ninth annual Faena Jazz Series.

Sponsors & Collaborators

The Faena Jazz Series partners with organizations supporting music education and live performance in South Florida. WDNA 88.9 FM serves as a media partner, and Young Musicians Unite! participates through student internship opportunities connected to the concert series.

Additional listed sponsors and collaborators include Miami Piano Center, Steinway Pianos, Frost School of Music, and Young Musicians Unite.

Tickets: www.faenatheater.com  |  Box Office: (786) 655-6500

About Faena

Founded by Alan Faena and Len Blavatnik in 2000, Faena is a global hospitality and lifestyle brand focused on luxury hospitality, residences, arts programming, and cultural experiences.

About Faena Theater

Inspired by European opera houses and classic Hollywood design, Faena Theater is an intimate Miami Beach performance venue seating approximately 150 guests. The venue regularly presents live music, cabaret, and the annual Faena Jazz Series.

About Faena Miami Beach

Faena Miami Beach is a beachfront hospitality property within the Faena District, offering guest accommodations, dining, wellness, retail, and cultural programming in Miami Beach.


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Florida's 2027 International Blues Challenge (IBC) Representatives Announced — 2026 Regional Competition Results

Updated: October 12, 2026
PSA

International Blues Challenge 2027

With Florida’s regional competitions now complete, the state’s representatives have been determined for the 2027 International Blues Challenge, presented by The Blues Foundation, January 19–23, 2027, in Memphis, TN.

The International Blues Challenge represents the worldwide search for blues bands and solo/duo performers ready for the international stage, yet just needing that extra big break. The world’s largest gathering of blues musicians takes place on Beale Street, with over 20 clubs hosting challengers and fans. In addition to the competition rounds, IBC week offers seminars, showcases, master classes, film screenings, networking events, book signings, and receptions for blues societies, fans, and professionals. The list of 2026 International Blues Challenge Contenders (Bands, Solo-Duos, Youth) is posted HERE.

RESULTS FOR FLORIDA COMPETITIONS
North Central Florida Blues Society logo
CONTENDERS:
Bands: Real Potential, The Mojo Healers, HD Blues Project, Lisa Katzoff Band.
Solo/duo acts: Lisa and David Katzoff, Bear & Robert, and Blues Primer by Harmonica Harold Davis.
WINNERS:
SOLO/DUO: Blues Primer by Harmonica Harold Davis
BEST SELF-PRODUCED CD: Sauce Boss - With Extra Sauce

Blues Society of Northwest Florida logo
WINNERS:
BAND: Gene Labbe and the Reverberators
Gene Labbé - Guitar and Vocals
Steve Maples - Bass and Vocals
Marvin Romero - Drums
Schwayn D. Bradley - Keys
SOLO/DUO: Scott Riggs

Treasure Coast Blues Society logo
WINNERS:
BAND: Vern Daysel and the Burning Breeze
SOLO/DUO: Tim O'Donnell

First Coast Blues Society logo
WINNERS:
BAND: Torre’ LaRock Band
SOLO/DUO: Lonesome Jim Weber

Southwest Florida Blues Society logo
NO COMPETITION HELD

Villages Blues Society logo
NO COMPETITION HELD

Daytona Beach Blues Society logo
NO COMPETITION HELD

Orange Blossom Blues Society logo
NO COMPETITION HELD

South Florida Blues Society logo
NO COMPETITION HELD

Suncoast Blues Society logo
NO COMPETITION HELD

ATTN: Florida Blues Societies
If you would like to have your organization's IBC info posted here, including results, please email details to Charlie@JazzBluesFlorida.com. Please send any updates and/or corrections to this address. Thank you.
STATS-n-FACTS
Florida IBC Winner History:
1991 — The Roach Thompson Band — Miami, Florida
1992 — Piano Bob & the Snowman (Robert Wilder & Ken Minahan) — Miami, Florida
2006 — Joey Gilmore Band — South Florida Blues Society
2009 — J.P. Soars and the Red Hots — South Florida Blues Society
2013 — Selwyn Birchwood — Suncoast Blues Society
Affiliated Blues Societies by State
As of July 2026:
  • Florida – 11
  • California – 7
  • Texas – 6
  • Illinois – 5
  • Arkansas – 5
  • Iowa – 5
  • Michigan – 4
  • Missouri – 4
  • New York – 4
  • Ohio – 4
  • Arizona – 3
  • Colorado – 3
  • Indiana – 3
  • North Carolina – 3
  • Pennsylvania – 3
  • Tennessee – 3
  • Kansas – 2
  • Kentucky – 2
  • Nevada – 2
  • New Jersey – 2
  • Oregon – 2
  • Virginia (DC Metro) – 2
  • Washington – 2
  • Wisconsin – 2
  • Alabama – 1
  • Connecticut – 1
  • Delaware – 1
  • Georgia – 1
  • Louisiana – 1
  • Maine – 1
  • Maryland – 1
  • Massachusetts – 1
  • Minnesota – 1
  • Mississippi – 1
  • Nebraska – 1
  • New Hampshire – 1
  • Oklahoma – 1
  • South Carolina – 1
  • Vermont – 1
  • West Virginia – 1
  • Alaska – 0
  • Hawaii – 0
  • Idaho – 0
  • Montana – 0
  • New Mexico – 0
  • North Dakota – 0
  • Rhode Island – 0
  • South Dakota – 0
  • Utah – 0
  • Wyoming – 0
Interested in attending the IBC? BASE BUDGET INFO.
Jazz & Blues Florida - Support Local Music

Distributed by:
Jazz & Blues Florida
JazzBluesFlorida.com
charlie@JazzBluesFlorida.com
WhatsApp: (561) 313-7432
Text Only Please
📬 Join Subscriber List
📸 Instagram | 🎥 YouTube
👍 Facebook | 🟦 BlueSky
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Get in front of fans who show up.
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Making the scene since 2006!