Submitted by Al Kanovsky 12/29/12
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You can laugh all you like. You
can even give me strange looks. I don't care. I did it. I traveled back in
time. You're still laughing. Well I'll prove it-----About 17 years ago Dr. Jules
Oaklander (JAZZophile-Opera Lover--Ballet Aficionado) suggested to the powers
that be at MOCA in North Miami that monthly JAZZ concerts would enhance the
image of the museum. The program started slowly, drawing crowds of less than 60
or 65. Last night there were about 500 JAZZ lovers enjoying the music and
travelling with me to yesteryear. The band was Tito Puente Jr. Junior is proud
of his father's musical accomplishments and pays homage by playing music made
famous by his Dad. He spoke of the Palladium back in the day and that's how my
trip started. Mambo, Cha-Cha-Cha, Meringue---the captivating clave
rhythm---BANG--1949--A Wednesday night--about 8 o'clock--me and a couple of
guys are walking up Broadway to 53d St. Our pants are pegged, jacket lapels
wide, shirts with Billy Eckstine collars and hand painted ties from
Cardinal($1). The ballroom is up a long straight flight of stairs. The admission
is small change.. The place smells of smoke of every kind including cigarettes
and cigars. "Killer Joe" is just finishing his "dance lessons". There ain't
nobody I hang with who can't dance better than him and we let him know it. He is
not appreciative of our commentary. The first of the three bands starts with a
mambo and the dance floor comes alive. Tito Puente is 25 years old and looks 19.
He has an amazing smile and sticks his tongue out when playing difficult
passages. The young girls love him and I am loving these young girls from all
over New York. The next band is Tito Rodriguez and to this day I think he was a
better singer than all of them except Ol' Blue Eyes. Third up was Machito--watch
out--serious, innovative dancers only. In those years New York Night clubs
closed at 4AM on weeknights. They stopped serving liquor at 4 but couldn't get
everybody out until 5 or 5:30 'cause guys would get up to jam. So last night I
was at the Palladium in 1949---RanKanKan, Oye Como Va--Celia Cruz, Jose Curbelo,
Ray Baretto.
Tito Jr's voice broke my
reverie. He was introducing his band. Keyboard and director, bass player,
Conga, Percussion, Trumpet and Jr. himself on timbales. I admit to being remiss
in not getting members names. They were all sensational. Closing out the show
everyone took a turn at playing timabales and even playing "floor". Thank you
Tito Puente Jr. for a trip back in time.
~ ~ ~
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