Submitted by Al Kanovsky 02/13/14
...it all. Great weather, beaches,
oranges, hotels, water sports and music departments in our High Schools,
Colleges and Universities. The prime example of these educational heights is the
Frost School of Music at U.M. I experienced this asset yesterday at the MJC JAZZ
in the Gables lunchtime concert at the C.G. Museum of
Art.
The Stamps
Scholarship Quintet is made up of five young men, one is 19, the others 18. The
came from all over the U.S. to compete for the honor of studying with Chuck
Bergeron. 2 are from Illinois and one each fro New York, Washington and
California. They are, Aiden Lombard (trumpet), Sam Hart (alto), Quinn
Sengupta(piano), Bob
Bruya(bass) and Marcel Perez on drums. The program went from be-bop to the
American songbook. "All Or Nothing At All" to "Straight No Chaser". Aiden was
playing a trumpet that had obviously been reconstructed. It was a gift from his
music teacher during his freshman year in high school. The manufacture date is
in the 40's. Frank Consola(WDNA FM 88.9), Larry Lapin, Joe Donato and Brian
Murphy were in the audience with Chucks wife and son Jackson. My friends Deborah
and Duane Crisp were there as well. When I reflect on what I heard I am not at a
loss for superlative word for each of these young Jazzmen. Articulate, creative,
imaginative, technique, They have it all. Remember their names. They represent
the future of JAZZ and are living proof that the art form is alive and well. My
hunger for music is sated and so I head for Dunkin' Donuts for sustenance.
Coffee and a sweet. Ahhhhh! I go home and after a brief nap head for BJB's in
Ft. Lauderdale. It is time for Danny Burgers JAZZ Showcase. Chuck Bergeron is
doing a double, teaching during the day and playing JAZZ bass at night. Brian
Murphy on piano has done the same. Danny Burger has probably spent the day
playing golf or sipping scotch or maybe both. If I know Ira Sullivan he was
practicing scales with his buddy Marc Berner. When I arrived at BJB's, Deborah
and Duane were already there taking advantage of 'Happy Hour" pricing. I did the
same. Jessi Campo plays the early sets and was doing a little Latin number. I
grabbed Melody (BJB's owner) and we 'shaked it' through the last chorus. When Ira
took over they started the show with "All the Things You Are" Bopping it all the
way. If you are a JAZZophile you never miss an opportunity to listen to a group
like this.
They start with "All the Things" and conclude with "Amazing Grace".
In between we are treated to inspired solos by one and all. Ira takes a short
break leaving Danny, Brian and Chuck to do "Nardis". Around and around, pushing
each other to greater musical heights. Marc joins Ira on flute to do "Autumn
Leaves" with an exceptional contra-melody portion. During the rhythm sections
playing of "Pent-up House" Chuck's solo brings the audience
to their feet. Danny, who I consider the best brush man in the world, does a
stint with one stick and one brush. Salsa beats make for an interesting version
of "So In Love With You Am I" with Ira going from alto to soprano and Danny
blowing up the tom-toms. I look up and am surprised to see Marc and Ira holding
tiny trumpets. They proceed to play "The Toy Trumpet" from a Shirley Temple (RIP)
film. I didn't know Marc played trumpet (self taught) and later on he told me
about his uncle Bill Berner who created the mute for the tiny trumpet.
Remembering the legendary Illinois Jacquet they played "Quiet Nights". Brian is
tucked in at the piano but he is a driving force for all the music. Ira picks up
the flugelhorn to do Cannonballs "Janeen". Orlando Machado comes in to catch the
last couple of tunes. Retuning to Bop-city they do "Night In Tunisia with Marc
back on flute. It is traditional for Ira to close the show with "Day By Day"
from 'Godspell" and "Amazing Grace". I am not ashamed to tell you that "Amazing
Grace" is the story of my life---.
Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"
~ ~ ~
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