Submitted by Al Kanovsky 5/2/13
I knew they expected an SRO crowd and so I got there early. There was another party going on. The celebrants were all members of a realtors group. Dark skies have brightened a bit. Happy days are here again. There was augmented live music with Liz Sharpe doing vocals accompanied by Scott Klarman(sax/EWI) and a machine. They could have done without the machine except for having to overcome the noise generated by the happy party-goers. The early revelers were leaving and were being replaced by righteous JAZZophiles.
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Wednesday was Ira Sullivan's
birthday. He is Methusaleh's junior by about 5 years. And he still can
blow.
I knew they expected an SRO crowd and so I got there early. There was another party going on. The celebrants were all members of a realtors group. Dark skies have brightened a bit. Happy days are here again. There was augmented live music with Liz Sharpe doing vocals accompanied by Scott Klarman(sax/EWI) and a machine. They could have done without the machine except for having to overcome the noise generated by the happy party-goers. The early revelers were leaving and were being replaced by righteous JAZZophiles.
Babette took her time-honored
bar stool, alongside her friend Donna. Isabel and her bro, Ron, my pals Deborah
and Duane, Richie Race, Mary, Rich and Ruth and agent Jay Linz. Musicians who
came included Kelmo, Paul Shewchuck, Troy Anderson and Mike Gerber who sat in
for a couple.
Ira, Danny, Jaime, and Brian set
up and took the stage. Ira said if he knew that being 82 felt so good, he would
have done it sooner. Ira, China Valles, Sonny Rollins and I are all the same
age. The formula----
"It's the
music".
The band opened with an up-tempo
"Hello Young Lovers" and that gave Ira the opportunity to show off his be-bop
chops on tenor sax. He is a product of the birth of be-bop era and has mastered
the genre. They continued with Ira playing trumpet and flugelhorn on a tune that
had the chord changes I identify with "Misty". Next, The Beatles "Norwegian
Woods" with Ira on soprano and Danny "blowing up" the drum kit for one of his
outstanding solos. Picking up his flute Ira chose to play Sonny Rollins'
"Pent-up House". His use of "bop" phrases hearken back to the wonderful late
'40s, early 50's. They closed the first set with "Inchworm" and "I Get A Kick
Out Of You", Brian and Jaime doing attention getting
solos.
The 2d set opened with John
Alexander's tune "Brothers". In his younger years, Ira would hang-out in some of
Chicago's Soutside music joints. It was there that he listened to Cootie
Williams. One of the guys playing in the BLUES oriented band was Eddie
'Cleanhead' Vinson. Eddie wrote a song "Tuneup" that had 'Dizzy' written all
over it. The night was filled with homage to Bop. I even wore a beret to honor
the memory of the "Diz". Mike Gerber sat down at the piano and wowed the
audience with his rendition of "Windows". Mike's music is complex and you must
pay attention. Listen closely and you will be rewarded.
In mid-America, young people
have the opportunity to join a 4H Club where living the clean life is part of
the program. Ira(Chicago) and I(The Bronx) also had a form of 4 "h"s. In our
teen years you were either Hip--Hep--or a HopHead. Berets
were the headgear because everybody wanted to be identified with the father of
the new JAZZ genre who sported one.
The evening closed down with
renditions of "God Bless the Child", "Milestones" and ended with Ira's
traditional playing of "Amazing Grace". If you had lived your life like I led
mine the song would have a special meaning. I don't care who plays it or sings
it, every time I hear it, tears come to my eyes.
Wendy Pedersen and Jim Gasior
have a date at the Deering Estate in July. Check listings and save the
date.
Posted by Jazz & Blues Florida
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