Submitted by Al Kanovsky 3/23/13
Congratulations to Mr. Larry Rosen for
producing a successful JAZZ ROOTS series. Thanks to Ms. Mari Beth Bittan
(Public Relations for the Arts) for her hospitality. And most of all my sincere
gratitude to all the dedicated JAZZ musicians who fill my life with so much
pleasure and joy.
~ ~ ~
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'T ain't easy to follow in the
footsteps of greatness. Last night Larry Rosen, producer of JAZZ ROOTS series,
at the Adrienne Arsht
Center in Miami presented two of Dizzy Gillespie's
disciples in a program titled "Cubop". Senor Paquito D'Rivera and
Mister Jon Faddis paid tribute to the "Diz" and the great congero Chano
Pozo.
As young men, both of these artists
decided that be-bop and Cuban JAZZ would play major roles in their
careers. They chose Dizzy as their guide. Not an easy row to hoe. But they
persevered and succeeded. Their careers are star-studded and filled with
musical accomplishments.
On stage with Jon and Paquito was a
rhythm section with Rudolfo Zuniga at drums, Kemuel Roig on piano and Armando Gola
playing upright bass. I mentioned the latter two in yesterdays review.
The quintet represented the past, present and future of JAZZ. They opened the
program with "Dizzy Atmosphere" and closed it, playing with the FIU
JAZZ Big Band, and a rousing rendition of "Manteca ". In between they were joined on
stage by famed congero, Giovanni Hidalgo
and vibraphonist/marimbist, Dave Samuels. They ran the gamut of Dizzy and
Chano's creative compositions and arrangements.
On previous occasions, I have said that
Jon Faddis is the greatest living trumpeteer. He left no doubt with his
performance last night. Range(some notes are so high above the staff, they run
off the page) Technique, Tone, Articulation and Alacrity. Jon has it all.
I can say the same of Paquito. Somewhere, in Heaven above, Chano & Dizzy
were "boppin'" along.
Although the evening was dedicated
to John Burkes and Chano they also paid tribute to other Cuban JAZZ
artists like Mario Bauzo, Chico O'Farrill and Benny More`. Paquito told the
audience that Dizzy and Chano's composition "Night In Tunisia ",
written in the 40's was originally titled "Interlude" and was
recorded by the Boyd Raeburn Orchestra, way back then.
The FIU Studio JAZZ Big Band is under
the direction of Mr. Jim Hacker who also plays trumpet. The band has a 5 member
sax section, 5 trombonists and 6 playing trumpet. (the trumpet section
includes one young lady). Also, drums, bass, guitar, piano, timbales and
bongos. All I can say is "These cats can play".
Comments: During Giovannis congo
solos, Paquito displayed some "Palladium" moves. Jon could use a
writer for some new material and Spanish lessons. I can use one also. I
missed most of Paqiuto's humorous patter "en espanol". My Spanish,
like Jon's, is limited to "No problemo" and "Quanto?"
Flo
and I have two children, Melissa and Jon. They were born 20 months apart. The
first lyric they learned as toddlers, was "Salt Peanuts".
To this very day if you scat the first bars they will joyfully respond with
"Salt Peanuts, Salt Peanuts". Paquito had the audience doing
that phrase during the closing number. Needless to say, I enjoyed every
moment from the opening licks to the closing notes.
In the audience with me were Dr. Jules
Oaklander(friend and Patron of the Arts), Nicole Henry's friend, Lourdes and two gracious
ladies I had met at BJB's(mother and daughter) Gloria and Hope. They may join
me on the trip to the HavanaJAZZ Festival in December.
Posted by Jazz & Blues Florida
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