Thursday, August 8, 2013

Florida's Coolest Jazz & Blues Venue Presents the Hottest August Line Up - Arts Garage in Delray

Need some NEW?
Need some COOL?
Need some DIFFERENT?
Need some LIVE?

ARTS GARAGE.


Arts Garage has searched high & low
for the best in jazz & blues!

Performing together for over 30 years, Nakasian and O’Brien have entertained audiences all around the world as featured artists. Pianist O’Brien brings spirited tempos and seasoned pure style as he sets the standard from ballads to bebop. Featuring vocals by Nakasian who evokes Fitzgerald and Vaughan, and their 19-year-old daughter, jazz singing sensation Veronica O’Brien.

“Vocal virtuosity…broad range of material that showed [Nakasian’s] assurance on easygoing ballads, soft, Brazilian scat singing, and punchy pep songs.” – The New York Times


Arts Garage
180 NE First Street, Delray Beach FL 33444
$25-$35 Adv/$5 more at door. Limited seating.

BYOW ~ Bring Your Own Whatever!
Bottle of wine or other favorite beverage,
hor d’oeuvres or munchies,
making the cultural experience affordable to all!

Upcoming Summer 2013 Arts Garage Performances

The League of Women Voters and The Arts Garage invite you to an exciting evening of music, wine, food and dancing to breathtaking jazz of the Charmaine Forde Band.

Proceeds will benefit the outstanding work that the League to educate ALL the citizens of Palm Beach County. The goal of this evening is simple: See old friends make new ones and have fun!!!

Blues for the 21st century, featuring Longineu Parsons and Ted Shumate, that will take you from Louis Armstrong to Howlin’ Wolf to Miles Davis to Jimi Hendrix and beyond. Parsons has been hailed by critics internationally as one of the world’s finest trumpet players. He also performs on recorder, flute, percussion and is a vocalist. Acclaimed worldwide, guitarist Ted Shumate has performed and recorded with some of the most famous musicians in the history of jazz and blues.

“Professional, classy, smooth, sophisticated and urbane.”Jazz & Blues Florida Magazine

Friday, August 23, 2013: Jazz Project, 7:30 PM
An enthusiastic and charismatic performer who is also subtle and refined, Jantzen is on her way to becoming a major name in the overlapping worlds of jazz, cabaret and classic American pop music. She has the rare ability to reinterpret standards and make vintage songs sound fresh, new and topical. Her warm voice and swinging style, combined with a large repertoire, result in consistently memorable performances. She is never shy about embracing melodies and lyrics from the Great American Songbook, bringing out the hidden beauty in both, but her renditions are never predictable.
“Her voice is as rich and honest as you could ever hope for. Driving alone on a dark highway, that’s the voice I’d want to hear.” –Wayne Downing

Linda Witsell continues her traditions of communing and jamming on straight-ahead jazz and contemporary styles. Linda is something of an inconspicuous insurgent in the regional jazz kingdom. Her adeptness on flute is sweet and particularly outspoken. She’s got big, healthy, highly individual ideas on flute, and about how to push jazz beyond its own boundaries.

Friday, August 30, 2013: Jazz Project, 7:30 PM
The Fourth World Ensemble, emerging in 2007 from Monasterios’ desire to experiment with the fusion of Latin Rhythms, World Music and Pure Jazz, features Monasterios on piano, accompanied by percussion, drums, bass and saxophone. The ensemble performs all original music composed and arranged by Silvano. Exhibiting an insatiable appetite for challenge and change, Silvano brought his new quintet into the Savant studios and recorded eight new and innovative compositions. Featuring an assortment of indigenous percussion instruments and rhythms, the Ensemble’s latest work is most likely destined to be classified as “Latin Jazz,” yet it is totally devoid of the Latin clichés often encountered in “pseudo-Latin” jazz. Instead, it showcases the talents of an artist with a deep understanding of his complex Venezuelan roots combined with an Austrian-Germanic-European compositional heritage, and who, at the same time, is steeped in the great American jazz tradition.

Voted “Best Jazz Musician in Miami” (2009) by Miami New Times, Venezuelan pianist- composer Silvano Monasterios leads the way as a top-rated figure. “From the shortest phrase to the longest, though the language of jazz is obvious, his own sound and style has, and will ever be refreshing to me.” Jeff Laibson, Downbeat Magazine

An internationally renowned artist, Russell Malone is one of today’s most commanding and versatile guitarists! He has performed and recorded with some of the highest profile artists including Diana Krall, Gladys Knight, Aretha Franklin, B.B. King, Natalie Cole, David Sanborn, Shirley Horn, Christina Aguilera, Harry Connick, Jr., Ron Carter, and Sonny Rollins. Malone was named Guitarist of the Year by the Jazz Journalists Association in 2011 and he played on three Grammy-nominated albums with vocalist and pianist Diana Krall.  Malone was also a featured performer in Robert Altman’s 1996 film “Kansas City.”

“Mr. Malone… hasn’t tried to reinvent the guitar: in his standard, soft tone you hear Wes Montgomery, George Benson, some B.B.King. But as a performer he maintains a high rate of astonishment, and with traditional materials, his ability to get inside swing rhythms or bruisingly play a narrative blues, causing great tension and then easing off it.”  New York Times

“Malone’s technical ability has few peers. Blinding speed aside, he’s capable of the kind of chordal harmonics first introduced by the late Canadian guitarist Lenny Breau, but he’s taken the technique one step further.”  All About Jazz

Saturday, September 14, 2013: Jazz Project - 8pm

Sammy Figueroa has long been regarded as one of the world’s great musicians and has twice been nominated for Grammy Awards. As one of the world’s leading percussionists he has played on countless records, providing the rhythmical framework for hundreds of hits. Well-known for his versatility and professionalism, he is one of the few percussionists equally comfortable in a multitude of styles, from R&B, rock, pop and bebop to Latin, Brazilian and New Age. As one of New York’s most sought after session players, Figueroa played on countless albums, jingles and film scores and appeared often with The David Letterman Band and The Saturday Night Live Band. He has recorded and toured with Miles Davis, the Brecker Brothers (for 12 years!), Sonny Rollins, Michel Camilo (who wrote the tune “And Sammy Walked In” in his honor), Chaka Khan, David Bowie, and Mariah Carey. Figueroa’s famed sense of humor, ebullient personality, and open-heartedness is famous within the music industry and has made him a favorite with musicians and audiences alike. While continuing his career as one of the world’s leading sideman (for the last three years touring with Sonny Rollins), Figueroa has now established himself as a bandleader and artist. Figueroa has also been included in The Grove‛s Dictionary of Jazz.

“Sammy Figueroa is truly jazz greatness.” — Miami New Times

“What can you say? Sammy is the Cat! He has long been regarded as one of the premier musicians in the world.” – Drummer’s World


Friday, September 20, 2013: Jazz Project, 7:30pm

Sanchez is a multi-dimensional musician, a master of both Latin rhythm and the musical language of jazz, both deeply rooted in his persona. A formidable piano player, he has collaborated with many bands and top studio musicians in the South Florida area, and has also been honored for his work as performer, arranger and producer on two Grammy Award nominated albums. From Lima, Peru, Sanchez was born into a musical atmosphere and began playing piano at 11. He journeyed to the US and settled in Miami, where he played and studied with jazz legends such as Jim Gasior, Israel Lopez (Cachao), Mike Gerber, Mike Orta, and Eddie Barzola, who took him under their wings. He also polished his classical piano techniques with Diana Molinari and Cassandra Hanna at Miami Dade College and Leonid Treer at Florida Atlantic University. Sanchez participated as a musician, arranger and was involved in pre-productions on the album, “Blown Away”, which featured Arturo Sandoval and Frankie Marcos and was nominated in 2005 for a Grammy for Best Instrumental Album. Also, he co- produced, performed and arranged for the album, “La Onda Latina,” in conjunction with Frankie Marcos & Clouds, which was nominated also in 2005 for Best Traditional Tropical
Album. Additionally, Sanchez has worked on numerous projects with Grammy-winning producer, Glen Kolotkin, who is known for his work with many great musicians including Carlos Santana on the album, Supernatural.


Saturday, September 21, 2013: Garage Blues, 8pm

Barrelhouse Chuck draws on a distinguished lineage to create a blues, boogie-woogie and barrelhouse piano style that places him at the forefront of a celebrated tradition.  Grammy Award nominee, and BMA Pinetop Perkins Piano Player of the Year nominee, Chuck is the only Chicago blues pianist to have studied under Sunnyland Slim, Pinetop Perkins, Blind John Davis, Detroit Junior and Little Brother Montgomery. Over last 30 years, Chuck developed his formidable mastery of blues piano and went on to perform or record with most of the notable Chicago blues musicians-people like Jimmy Rogers, Eddie Taylor, Kim Wilson, Hubert Sumlin, Otis Rush, Louis Myers, Buddy Guy, and Big Smokey Smothers, among many others. His recording credits reads like a Who’s Who of modern day Chicago blues. During the past three decades Chuck has played all over the U.S., Canada, Mexico, South America and tours Europe regularly. He has also appeared more than a dozen times at the Chicago Blues Festival. Even though most of his teachers have passed on, Barrelhouse Chuck has become one of the bearers of the flame, and keeps both their spirit and music alive, passing it along where ever he plays.

“You got soul, man!” Eddie Kendricks

“Can you leave tomorrow? I want you to join my band.”  Albert King

Saturday, September 28, 2013: Jazz Project, 8pm

Critically acclaimed saxophonist, bandleader, and composer, Uri Gurvich blends the sinuous sounds of the Middle East and Hebraic folk melodies with thoughtful harmonies and brawny rhythms to create a unique jazz experience. Born and raised in Israel, Uri Gurvich won the Jazz Player of the Year competition in Israel before relocating to Boston to attend the prestigious Berklee College of Music studying under Joe Lovano. He has played at prestigious jazz festivals and venues in Europe, South America, Japan and the US, including Lincoln Center and Blue Note. Gurvich is an in-demand saxophonist who won also acclaim as a leader with his 2009 debut, The Storyteller, which was released on John Zorn’s label – Tzadik Records. Featuring Leo Genovese on piano, Peter Slavov on bass, Francisco Mela on drums and Chris Cheek on tenor sax, some of the most prominent voices on the contemporary New York jazz scene. The music places Israeli, Yemenite, East European and North African music into a progressive jazz context. Uri and his quartet released their second album in April 2013 featuring Moroccan multi instrumentalist, Brahim Fribgane.

“It’s meta-world jazz, and it’s breathtaking.” Washington City Paper

“Gurvich presents a compelling and strikingly original program that is imbued with beautiful, soulful melodies and brimming with ecstatic improvisation” Jazz Times



7/19-8/11, Wed-Fri, 7:30pm | Sat, 2pm | Sun, 7pm

Featuring 24 of Garland’s greatest hits, including “Get Happy,” “That’s Entertainment,” “The Trolley Song,” and of course, “Over the Rainbow.”  An unforgettable musical portrait of a child actor turned Hollywood star who captivated a nation with her spectacular talent and tumultuous life.  “My history of my life is in my songs.“– Judy Garland


About Arts Garage
Arts Garage is the venue of choice for a diverse array of local, national and international performers, as well as the preferred destination for those in search of arts seekers and aficionados. Established in April 2011, its mission is to collaborate with emerging artists and cultural innovators to facilitate an exchange of art and ideas and present cutting-edge, interdisciplinary performances and exhibitions.

Located in the heart of Delray Beach, at 180 NE First Street in Pineapple Grove on the ground level of a parking garage, Arts Garage seeks to transform Delray Beach into a boutique metropolitan city through arts and culture. The venue’s casually intimate ambiance reflects the feel of its City, and the Garage’s BYOW policy is avidly applauded.

For more information on Arts Garage, performances and booking tickets, visit the organization’s website: http://artsgarage.org

Wednesday, August 7, 2013

Cinderella is...(NOT usuallys seen where Allen Kanovsky hangs, but hey, she just might for kicks and giggles some night!)


Submitted by Al Kanovsky 8/7/13

...a fairy tale where a gal with a wand transforms stuff from one thing to another. Like a pumpkin to a carriage and mice into horses. Well that gal with that wand is hanging out in South Florida. She lives somewhere in Boca Raton. Maybe in the office of some plastic surgeon. My bet is she hides out in the Funky Biscuit. Why? Well, lets take the case of Tom Regis. Monday night, Tom is a member of Dave Shelley's house band, playing the BLUES on B3 and keyboard. Tuesday he fronts a band 'FinkaFunk'???', playing 3 electronic keyboards including a Roland RO250, YamahaMO6 and a Korg. The band is a JAZZ oriented group with a heavy Latin foundation. The transformation from genre to genre is so stark that it is hard for me to recognize Tom as the same musician that I saw just the night before. Are there 2 Tom Regises. Definitely. A BLUES master and then a Mambo King. The Havana Hideaway is the name of the joint where the JAZZ hangs out with Tom, Raul Hernandez(drums/vocals), Tom Benson(guitar), Philip MacArthur(bass) and Nelson Colon(congas).

Boca Raton is as different from Lake Worth as the Upper West Side of Manhattan is from Greenwich Village.

They open the Tuesday session with a brief but interesting "Night In Tunisia". My 'bud' Jimmy Belize and his friend Maxine were there when I arrived. Last Tuesday they came way late and heard only the last couple of songs. They liked it so much they didn't want to miss a single note last night. Also Kaz Silver was there with her sister Deb. Deb is just as lovely, put together and at least a foot taller. My ticker beat just a bit more rapidly in anticipation of possibly dancing with either or both of these siblings.

The band remembered George Duke. RIP. He had passed away earlier in the day and was a pioneer in Fusion in combination with Funk.  The program paid homage to past masters including Pancho Sanchez, Opa and the Buena Vista Social Club. Originals by the 2 Toms were featured as well. "Y' um Bom Bay". "Afro-Blue", "ComBombay" , a salsa rhythmed "Autumn Leaves" with Raul doing the lyrics en espanol. Opa tune ity", "This Kind Of Thing" a true mambo, and a tune that the band finally decided should be called "Nelson In Love". I did dance with Kaz, Deb and another gorgeous gal(didn't get her name) from Argentina. A couple of Dos Equis Ambers, carne barbacoa tacos, blue corn chips with fresh made 'guac', a solid band, dancing with gals who like to dance, good friends and the magic of a musicians transformation, what more could one ask for-----oh----the "Real Tracy Fields" in the short on the ride home. 

Tonight, probably "The Fish House" in Miami. David Leon hosts a JAZZ jam on Wednesday nights. I say probably 'cause I really don't decide, for sure, until late afternoon. "Live every day like it's your last. Life is not a dress rehearsal"     

Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"       


 ~ ~ ~
Traveling to catch some of Florida's good music? Check out these places and rates!
Compare hotel prices and find the best deal - HotelsCombined.com
 ~ ~ ~

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Tuesday, August 6, 2013

If you want to avoid...(...Allen Kanovsky, we suggest you DON'T hang out in these places he writes about!)


Submitted by Al Kanovsky 8/6/13

...those Monday night BLUES, than I suggest getting out to listen to some BLUES. A good place for that on Monday nights is Al Poliak's Funky Biscuit, where Dave Shelley hosts a weekly Jam. The house band along with Dave is Drew Preston(guitar/vocals), Randy Ridenhauer(drums), Tom Regis(B3/keys) and Charles Gaspar(bass guitar). I have referred to Al as the "B" man because he does it all----bus boy, bar back, bowl attendant, etc. Last night he added another job to the list, lighting director. As the band was setting up, he was adjusting spots so that the lighting was "just right". I hate to say it but lights are not going to make Dave or Drew look better or worse. Let's talk about better. Walk into the Biscuit on Monday night and you feel better right away. The place is filling up with BLUES players who have come to Jam and Jam they will. The band starts with "Who's Your Baby Now", then "Pretty Woman" with Dave doing vocals and Drew a nice guitar solo. They followed with a crossroads type traditional, "I'd Be Nowhere Without You In My Life". Never a truer lyric has been written. "Born Under A Bad Sign" gives Regis a chance to show off the rich tones of the B3. Dave brings some Jammers up including Ken Burgner(bass) and Mark Weinstein?? on guitar. Ken is well known amongst JAZZ artists. Bluesy Dan from N.Y.(guitar) gets up and Regis moves to the keyboard. The rhythm gets a little funky with "Don't You Lie To Me" and Jim Drury(tenor sax) joining in. Dave Jacobs(guitar) is now on stage and the close the set with "I Get Evil As A Man Can Be and "If You're Ever Down In Texas". Next up is a Tom Petty tribute band called "Timeless Tom". I must admit that I am somewhat regretful, but, I don't review tribute bands the same way I don't do records or musicians playing with tracks. I took a breather and had the opportunity of talking with Charles Gaspar. Charles was brought up on a Zuni reservation. His early influences were R&B records that his Mom & Dad played day and night. I spoke with Jim Drury. It turns out that he and Ed Calle were classmates and friends at U.M. back in the day. After the "Petty" band, the young J.L. Fulks took the stage with 'his' band. Tom Regis(B3/keys), Chuck Fiore(drums) and Mason Randell(bass). They start with an Eric Clapton tune "I'll Be Here When the Sun Goes Down" If you haven't heard J.L., I suggest you look for him. It won't be long before he hits the "Bright Lights, Big City". They do a traditional crossroads tune and follow with "Mojo Workin'."

The house band returns plus Bluesy Dan, Jim Drury, Mike Marciano(harp/vocals), Billy Jolly(B3) and Dr. Tzvi Pearlstein on pocket trumpet. As Louis Jordan once said "The Joint Is Jumpin" and then they decided to tear the house down. They invited D. Mannell(bass) to the stage. "Sweet Home, Chicago", combined with "Let the Good times Roll, has 'em all up and dancing. They won't let D. off the stage He does "Just Don't Know" with Regis doing an inspired keyboard solo. They close the night with D. having everyone clapping their hands and shouting out. Jimmie Belize had joined me and Tania Blue gave me her traditional kiss on the lips. In the car Tracy was clever enough to have Carlo Mag(nific)o Araya, Mike Orta, Maria Rivas and Dr. Lonnie Smith join in the ride home.---and that's how you avoid those Monday Night BLUES!!!!!!      

Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"       


 ~ ~ ~
Traveling to catch some of Florida's good music? Check out these places and rates!
Compare hotel prices and find the best deal - HotelsCombined.com
 ~ ~ ~

Posted by Jazz & Blues Florida 
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Sunday, August 4, 2013

When you're the...(the ONLY Allen Kanovsky at Arts Garage, no matter what is being worn!)


Submitted by Al Kanovsky 8/4/13

...only guy in the room wearing pegged pants, argyle socks, penny loafers and a Tattersall checked shirt, you better have some friendly musicians around. Where to begin?? Okay! It's a Saturday night. There's a Swing Dance event at Arts Garage in Delray. Get it!! Swing dance--pegged pants--zoot-suits--lindy--well maybe you're not old enough. I am. The dance was being held by the South Florida Lindy Collective and Swing Out South Florida. It started with Lindy lessons by Isidor Shniadoski in which about 50 "guys and dolls"  (terminology of bygone days like my pants) took part. Then we got to the good part. Live music by a band whose members  I am conversant with and so they did not make light of my attire. First I saw a guy walk into the band "green room". I followed, but didn't recognize him. He's wearing a stingy brim pulled close down on his forehead. Lucky for me Ms. Brenda Alford is there looking over her play list. We are soon  joined by Jesse Jones Jr. and Paul Shewchuk who wants to know whether the red shirt or black shirt is better with the atrocious tie he has on. I feel better dressed already. Brenda, Jesse and the unrecognized guy in the hat unanimously agree on the red, to match the red band on his black stingy brim. I introduce my self to the guy I don't know. His response "I'm Kevin Camfield"(drums/vocals). I've known Kevin for several years from his appearance at the Hard Rock. The hat completely disguised him. Bluntly I asked if he had gone suddenly bald. He doffed the lid, displaying a full head but now slightly grey hair. Mike Orta arrived carrying a partially full glass of red wine--- a few words here and there of pleasant conversation and the glass emptied. Paul, noting the absence of beverage appeared with some bottled water and then pulled from a back pack, a bottle of vodka. Just then my pal Jimmy Belize and his friend Maxine popped their heads in the door and I joined them at a table alongside the dance floor. Barbara Van invited us to join her, Luz Salazar(my dance partner & Mike Ortas girl friend) and Jea(n)nette PINA at their table. Barbara had brought a tasty repast of cheeses, crackers, bread and Italian meats. Okay, now the best part. The music. All of the aforementioned musicians easily reached back into the past and revived the "Swing Era" of JAZZ. Brenda opened with a groovy "I'm Beginning To See the Light" with Jesse and Mike doing the instrumental solos. The dance floor filled with couples of every age and ethnicity. And they did what was expected---The Lindy. None of them were dressed like me but they danced like I did back in the 40's. The dance is energetic so the band limited each number to single chorus solos to enable the dancers to gather themselves for the next one. Brenda followed with "Love Was Meant For You and Me" with a little scat to enliven the evening a little more. Kevin's turn and he sang "Just In Time" which got Jimmy and Maxine on the dance floor. Now Jesse and in his own inimitable style, does "Won't You Come Home Bill Bailey". Jesse's scat lines cannot be duplicated. They are pure Jesse Jones Jr.--Kevin says with Jesse turning gray it should be Sr. not Jr. They continued to take turns doing, "I'm In Love"(Brenda), "Come Fly With Me(Kevin). Jesse intros the tune with a little "Flight of the Bumble Bee".  Jesse and Mike do their 'thing' with eloquent solos. Brenda sings "At Last" and at last I am dancing with Luz. I feel the daggers thrown by Mike's eyes piercing my back. Kevin does another 'Fly' song--"Fly Me To the Moon" and Brenda closes the set with a really swinging "Them There Eyes" with Jesse singing into the alto---wow!. 

Barbara makes mention of the fact that she paid the $25 admission to listen to Mike and all these years she has had him as her pianist. I hope she paid him more than the 'quarter' to work with her.

While I was in back talking with Jesse and Mike the conversation had turned to my question of how do JAZZ musicians do what they do, instinctively. I will try to write about that on a day when I hadn't gone out to listen to the music.
The 2d set continued the dance groove with "Well, Alright, OK", "I've Got You Under My Skin", "They Can't Take That Away From Me", a request for "Stompin' At The Savoy" to which the club dancers did a Lindy line dance. Brenda did some more of her scat on "They Can't Take That Away From Me" then Kevin with "Mack the Knife", Brenda doing "I Love Being Here With You" and she meant it. They ran through some more standards. I danced with Max. Isador danced with Luz, I danced with Ji---no-no---

Brenda and Jesse joined voices on "A Train" and a young couple, Tracy and Amos, did a 'hop-lindy'. A 13 year old named Rose Prochansky, taught me that step in 1944. I married her in 1981. When Brenda did "All Of Me" Mike took the opportunity to show his JAZZ skills with a dynamite solo. Jesse and Brenda had them swinging with "Sunny Side" and he did an incredible closing which had the audience up and applauding. Kevin with "Witchcraft" then Brenda doing "Bye-Bye Blackbird" to close the show. Kevin leaves the stage but the dancers want "one more" asking for "Perdido". Jesse takes a seat at the kit and does a good job, concentrating mainly on the ride cymbal. Kevin returns to the stage to do a scat duo with Brenda. The band does a little stop-time to allow Jesse a solo on the drums. Again the ride cymbal, tss a tss-tss a tss-tss. Hey Jesse, if you would like to take lessons, I'll talk to Danny Burger for you.  Check the music listings for where these wonderful musicians will be appearing next-----          

Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"       


 ~ ~ ~
Traveling to catch some of Florida's good music? Check out these places and rates!
Compare hotel prices and find the best deal - HotelsCombined.com
 ~ ~ ~

Posted by Jazz & Blues Florida 
Please visit http://www.jazzbluesflorida.com/ to sign up to have 
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Saturday, August 3, 2013

In the vernacular of...(well...I guess that would be Allen and all his music friends!)


Submitted by Al Kanovsky 8/3/13

...the cool, hip or hep, to chill is to relax. To really chill is to really relax. Relax enough to slow your pulse rate and breathing. Last night I was really chillin'. I had made my way to Soykas at the 55th St. Station in Miami. Why Soykas? Easy. Mike Orta and Kai Sanchez. The recently refurbished lounge is the perfect room for doing what I was doing. Kickin' it(another term for chillin'), listening to JAZZ, enjoying an adult beverage and tasty appetizers. Mike's girl friend Luz Salazar and her boys Joshua Deahora and Danny Gaviria were there to enjoy as well. I arrived just in time to hear them playing "Speak Low" to a Latin beat. Since there were only two of them it afforded them the opportunity to play extended solos. Just perfect for sitting back on a love seat with a gorgeous blond(Mike's girl friend Luz)and listening to the renderings of this masterful duo. Following the clave` was a BLUES "Things Are Not the Way They Used To Be". Next, showing some 'bop chops', their version of "No Greater Love". Mike reads the stuff I write and so they did it in Bb. It would have been just as good even done in G. A romantic ballad "The Nearness Of You" reminded Mike and I that I had written about Charmaine Fordes favorite lyric line. Mike had played with Charmaine about 10 years ago. A young, good looking couple, were leaving but stopped to thank Mike and Kai for the music. Seeing their interest in  JAZZ I asked their names. They were agreeable and stopped to chat for a moment. She is Cristina Escobar an attorney, who served as a prosecutor in the court where Jesse Jones Jr. worked as the bailiff. He is Carlos Escobar who once played tuba in the 13th National Guard Band. Mike and Kai were playing a Latin beat. Cristina and Carlos got up to dance. What a trio! Cristina, Carlos and Clave`. Prior to the 2d set Mike asked what I would like to hear. "Latin & Bop". And so it was. Mike opened by himself with A bolero tempoed "Besame Mucho". Kai joined in on "Green Dolphin Street". Eubie Blake wrote "Memories Of You" with lyrics by Andy Razaf, in 1930. It was composed for a Broadway musical "Blackbirds of 1930". It is a lovely tune and a JAZZ standard which has held up well to time. Back to Latin and a Samba beat for "No More Blues".

The romantic ballad "Moonlight In Vermont" was a favorite of his Mom and recently passed Dad. Mike's love for them was evident in his playing this tune. Mark Soyka was at a nearby table with 2 beautiful gals( I know-I know), when Luz got up to sing a couple including the tragic "Alfonsina y el Mar." Her voice is perfect for doing Latin influenced ballads. Elvis Matinez(bass) sat in for a couple. Mike and Kai did a Soyka favorite "Keep the Music Playing" followed with "I Remember April", "What A Wonderful World" and "That's All". I drifted into a "Wonderful World" of memories of years and loves that are gone. Mr. Soyka requested "People", which Mike did alone. Beautifully. I said goodnight to all and said hello to Tracy. On the way home I reminded myself of Cristina and Jesse Jones Jr. I will try to reach her to let her know that he will be appearing tonight with other JAZZ stars at the Dance Party at Arts Garage in Delray. Me and my dancing feet will be there. Will you???         

Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"       


 ~ ~ ~
Traveling to catch some of Florida's good music? Check out these places and rates!
Compare hotel prices and find the best deal - HotelsCombined.com
 ~ ~ ~

Posted by Jazz & Blues Florida 
Please visit http://www.jazzbluesflorida.com/ to sign up to have 
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Or, just email me at Charlie@JazzBluesFlorida.com
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Friday, August 2, 2013

North Central Florida Blues Society Annouces Regional Competition for 2014 International Blues Challenge


The North Central Florida Blues Society will be holding the 2013 Gainesville Blues Challenge on Sunday, September 15, 2013, at the Dirty Martini Bar, located at 2441 Northwest 43rd Street, Gainesville, FL. This is a regional competition that allows the winning band and solo/duo the opportunity to compete in the 2014 International Blues Challenge (IBC) in Memphis, TN.

Competition start time will be approximately 6 pm, subject to change, depending on the band line-up. Registration is now open and the deadline to sign up for the competition is September 1, 2013.

Admission will be $5 and all door proceeds go to the winning band and solo/duo to help them afford the trip to Memphis.

For additional registration details, contact North Central Florida Blues Society President Rob Richardson at myname_isrob@yahoo.com .


See www.blues.org for rules and regulations.                

See separate blog entry for state-wide overview of local competitions as they progress: http://jazz-bluesflorida.blogspot.com/2013/07/florida-blues-societies-2013-local-ibc.html

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Posted by Jazz & Blues Florida
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Blues Alliance of the Treasure Coast Annouces Regional Competition for 2014 International Blues Challenge


The Blues Alliance of the Treasure Coast will be holding the 2014 International Blues Challenge (IBC) Regional Competition on Wednesday, October 2, 2013,  at Pirate's Cove Resort and Marina, located at 4307 S.E. Bayview St., Stuart, FL 34997 (Port Salerno area). 
Time is 4:00 p.m. (subject to change, depending on the band line-up).
Registration is now open and the deadline to sign up for the competition is September 23, 2013.
Bands who enter must submit a $50.00 deposit, returned after the performance. If a band signs up and does not perform, the deposit goes into the Blues Alliance of the Treasure Coast's scholarship fund. 
For additional registration details, contact Blues Alliance of the Treasure Coast President, Patti Gamble, at pattivibraphone@aol.com.

See www.blues.org for rules and regulations.                

See separate blog entry for state-wide overview of local competitions as they progress: http://jazz-bluesflorida.blogspot.com/2013/07/florida-blues-societies-2013-local-ibc.html

Vision... (...s of jazz notes danced in your head, Allen Kanovsky?)


Submitted by Al Kanovsky 8/2/13

It is an odd name for a band, even in todays odd name world. "The Sound of Vision" is the one used by 3 very talented musicians. Valerio Cantori plays piano & keyboards, Orlando Machado is on drums(also with Oriente) and Scott Klarman is masterful on tenor sax, flute and EWI. Scott's familiarity with the Electronic Wind Instrument goes back a couple of decades. He is a master and during the program demonstrated the versatility of the instrument. The set opened with a chance for Scott to "show-off" with a bop tune "Sissy's Strut" playing tenor and EWI. Everyone took a turn in that department when the played Miles Davis' "All BLUES". In a more tender tone and genre they played "Days of Wine and Roses." Orlando introduced Ms. Charmaine Forde. Charmaine is no ordinary little "chick singer." She is a JAZZ vocalist. Her range, tone and timbre is impressive. A native of Trinidad, traces of that heritage still lingers in her presentation. She opened with a swinging "All Of Me" in Bb. I think every vocal should be sung in that key because it allows for all kinds of improvisation. There were a couple of birthdays being celebrated at Blue Jeans BLUES. Sharon and Wayne. Charmaine dedicated her next tune, "It's Just the Nearness Of You" to the birthday boy and girl. Later on, Charmaine told me that her favorite lyric line is the opening line of that tune. During Ms. Forde's rendition, Scott seemed to be entranced by the beauty of her voice. They followed with a samba beat to "Besame Mucho" where Scott was featured on flute. Then "Funny Valentine", Scott doing the solo on EWI. Through it all, Valerio was playing bass on the keyboard with his left hand and the melodic line with his right. When necessary for Valerio to use both hands on the 88, Scott did the bass line on the EWI. Every tune had Orlando delivering imaginative, rapid-fire solos on each. My buddy, Dr. Jules Oaklander, was curious about the EWI and talked with Scott during the break. Another pal, Ron(Anonymous) was in the house as well as Fox Sports personality Frank Forte. Sound of Vision opened the 2d set with an original--"She" which is also on their CD. Orlando announced the next song would be dedicated to me. The rhythm of clave` permeated their arrangement of "Love For Sale" which included riff lines from Dizzy's "Manteca". They took an interlude to display all the sounds you might get from the EWI. An enlightening moment. Then, Funk-Funk-Funk. I think it was titled Four Ninety Eight but don't quote me.

Charmaine returned to the stage with "Love Me Or Leave Me" . Asking the audience for input, the answer they got was 'Disco'. Shades of Donna Summer. "Voulez-vous Couchez Avec Moi" had every female in the joint up and shaking their funky bootys. I remember that line as a sex-ridden quote GIs had brought back from France after WWII. Ron(Anonymous) couldn't control himself and joined the gals. During the next swing number I worked up the nerve to ask the birthday girl, Miss Sharon Moffett for a dance. She said yes and we continued to 'wow' the crowd. They did a Calypso tune in which Charmaine's roots became obvious. They concluded the set with "Stormy Monday" and a few lines from "Wade In the Water". Doctor Jules had an early appointment with his cardiologist (1PM), which to the good doctor is pre-dawn and so we paid our checks and headed home. The conversation during the ride concerned itself with how much we enjoyed the evening, the Sound of Vision and Charmaine Forde. A night of musical pleasure. Thank you all.        

Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"       


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Thursday, August 1, 2013

Jazz & Blues Florida August 2013 Edition Posted


The August 2013 online edition of JAZZ & BLUES FLORIDA has been posted at www.JazzBluesFlorida.com in a new easy-to-read format with a soundtrack from one of the month’s featured artists. The issue is also in an easily down-loadable .pdf file format. The feature articles are all previews of local and touring artists with upcoming performances throughout Florida. Along with the ezine, the site offers comprehensive listings of live jazz and blues music in clubs, concerts and festivals across the state.

Featured this month:
Alan Baylock Jazz Orchestra
Amandah Jantzen
Avery Sharpe Quartet
Candye Kane
Cedric Burnside
Chick Corea & Béla Fleck
Dick Hyman & Shelly Berg
Larry Garner
Miami Saxophone Quartet
TC Carr & Ed Wright
Willie Green

The main website, our blog, and social  network presence provides hundreds of current listings for clubs, concerts and festivals throughout the state along with photos from shows, video showcases, news about new Florida CD releases, current news postings, personal recommendations and suggestions, and links to important resources including jazz and blues associations, radio and web programming, and educational resources.

Thanks!
Any questions, just call…
Charlie

Charles R. Boyer, Publisher
Jazz & Blues Florida
www.JazzBluesFlorida.com
www.Facebook.com/JazzBluesFlorida
www.youtube.com/JazzBluesFlorida
jazz-bluesflorida.blogspot.com
(561) 313-7432
Charlie@JazzBluesFlorida.com