Submitted by Al Kanovsky 01/01/14
...what you want. Sometimes what
you get is awful. But, every cloud has a silver lining. By the way, Happy,
healthy and prosperous New Year to all my musician friends, listening friends,
drinking companions, dance partners and even the gals who said NO! New Years
Eve of 2013 started for me with some Japanese food shared with my pal Dr. Jules
Oaklander. The food was good and made even better when the good Dr. picked up
the check. Then off to Le Chat Noir on S. Miami Ave. Their notice to the public
was "After Hours Jam". Starting at 11pm and continuing to 9am. Doc and I arrived
to sit down at our reserved table shortly after 11. A bass guitar player was
working on his amp and I didn't see another musician that I knew in the house.
Fortunately, Alec, the prop. of Le Chat is a personable guy and the conversation
made up for the lack of live music. After some time I saw trumpeter, Stuart King
arrive, horn case in hand. He was coming off a five hour gig. A young man from
the audience was toying with the piano. His name is Edgar Pantoga Alsman.
Another musician came out of the audience warming up a tenor sax, Juan Navarro.
Edgar sat down, ran through a couple of arpeggios and then calamity struck. A
woman took the stage, along with the bassist. They will remain unnamed as I
wouldn't want them to suffer as they made me do. Handing Edgar some music she
said G. An Edgar intro and she started to sing????? "Desifinado". This title in
English translates to 'off key'. A few bars in, even a 1 year old would have
been brought to tears. "No, no" the vocalist???? said. "We'll start again" My
only thought---Oh no!!!--- "G major" she said. "G minor" Edgar said. "G
major"---"G minor". Edgar played an introductory few bars. The lady seemed
confused about where to 'come in'. Unfortunately she did 'come in', singing in
Portugese. At the conclusion of the number and without hesitation she went right
into another Brazilian popular tune. Juan Navarro and Stuart King, who had tried
to play some underlying back for the lady, had long ago, given up and retreated
to a place where they didn't have to listen. The painful performance ended. By
this time Holly Spillane had shown up and said that Eddie 'El Gato Fresco'
Balzola was coming through the door. Stuart had been the trumpet player for
Eddie's band "Oriente" a while back. Juan, Stuart and Eddie along with the
unnamed bass player played "Beautiful Love" with the 3 named guys playing
respectable solos. Juan stepped aside and Stuart, playing muted horn, played
"'Round Midnight". That, all by itself, made the night worthwhile. Intuitive,
creative, imaginative. Clarity of tone and perfect execution. Eddie supplying
great underlying background.
As the 2d chorus solos were ending the singer??? approached
the mic. Alec made a furtive move and turned the mic off. Thank You. Stu
followed with a bouncy "Ode To Billy Joe" which got everyone clappin' and
tappin'. Juan took his turn, doing the Beatles tune "Yesterdays". Edgar returned
to the upright and he, Stuart, Eddie with Holly playing conga noodled a few
tunes. I noticed that Stuarts horn was a little unusual. It is a Phaeton, made
in Chicago and had recently been purchased for Stuarts European tour. Edgar
continued, solo at the piano, playing some traditional Cuban 'son'. I
got hold of the claves and provide
the
"pok--pokpok--pokpok". A family note. Both Juan
and Edgar are Alec's cousins and he says there are more musical family members
still to meet.
Doctor Jules and I share a sandwich and he is enjoying a "Chimay"
dark beer. Another young pianist takes the seat and even though he continues in
the rhythm and melodies of 'son' his style is in sharp contrast to Edgars. His
name is Papo Delgado and he plays afternoons at Le Chat Noir. Papo did "Imagine"
with all the emotion it engenders. His style is more in the classical mode as
Edgar was traditional. It is approaching 8 bells (4am to you landlubbers). I
would love to stay and so would Dr. Jules but our old bones are stiffening and
creaking. My grey haired head is tilting down ward. Time to say "Farewell" "Vaya
con Dios" "Thanks for the music"and
HAPPY NEW
YEAR!
Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"
~ ~ ~
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