Submitted by Al Kanovsky 12/05/14 (Photos too!)
…70
others including Dale Powers, Piano Bob, Rick Katz, Jeannette Pina, Ted
Grossman, Viatali Imareli and other musicians and music lovers got a
lot more than expected. Ed handed Ira Sullivan the mic letting him know
that there was some time before the broadcast.
Ira
started with a musical history lesson and some background on musicians past and
present. He met Herbie Hancock when Herbie was only 18. He first heard Antonio
Madruga when he was only ten. The subject turned to faith and included some
tales about Florida drivers with no signaling and horn blowing. He talked about
the music biz and such saying that his only agent all through the years was his
Lord, Jesus Christ. The only fee was devotion.
With
Ira were his son Brevard (guitar), Brian Murphy (piano), Jaimie Ousley (bass),
John Yarling (drums) and Marc Berner (flute). The band opened with Ira playing
the intro to "Strangers in Paradise" on soprano sax. His following
solo was played using the flugelhorn. Jaimie employed his bow and John got the
whole thing swinging. Ira added some boppish
riffs with Brian and Jaimie following suit. Brev joins his Dad in unison intro
to a super tempo "Boogie Stop Shuffle". Their unison work was
outstanding and the individual solos were the same. Brev took the first turn
and then Ira used the tenor sax to continue. Brian as usual, delivered a
creative piece of work. Ira and Brev traded 8s and did a surprisingly eloquent
counterpoint section. "Boogie" is a Charlie Mingus composition which
should be done more often. Marc joins the group on alto flute and Ira plays
flute as well when they do "The Little Train From?????. Starting with slow
train sounds it soons becomes a lively samba with Brev and Marc delivering
masterful solos
Closing
the show Ira lets us know the value of faith in the Lord and they do "Day
By Day" from the Broadway musical 'Godspell'. Part of the lyric is
"To follow Him more closely, day by day". Brev played a truly
sensitive solo for his portion.
Ira's
traditional closing tune is "Amazing Grace". Someday, if you catch me
at the right time, I will tell you how much the line "to save a wretch
like me" means in my life. I listened, learned a lot and enjoyed some real
JAZZ played by a few of the very best South Florida has to offer.
Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"
~ ~ ~
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