Submitted by Al Kanovsky 07/26/14
...a 'Treky'. I have seen "Star Wars" once. I prefer
detective stories over science-fiction. Music is entirely different. I felt
something the first time I heard Dizzy and the Bird. The Boyd Raeburn and Stan
Kenton bands. Dizzy used it in a tunes title "Things To Come". There
were great sounds to come. Now once again I get to here the 'music for the day
after tomorrow. The quartet is called "Reality". This is not reality
in any way. It's unreal.
The future of JAZZ to be enjoyed today.
Aaron Lebos (guitar) fronts the band which has Jim 'the
genius' Gasior on keys, Eric England electrifying the bass and Rudolfo Zuniga
keeping them all in line and ending together. This happened at Arts Garage in
Delray Beach on Friday night. They open with "Turning Point" which
slowly grows to crescendo proportions before bringing it down for the
conclusion. You are instantly made aware of the talent on stage. The band
follows with a tune titled "9 to 5". The tune had no name until
a fan had asked for the title. The time signatures include 9's and
5's--hence --- It should be called "Dizzy from 9 'til 5", since it is
laced with "Manteca" like riffs. Next, the play "Yinglish".
It is a happy kind of tune that contains a smile in the melodic line. Eric's
solo is reflective of this bands creativity and imagination. Aaron elects to
play "Hong" which is his Mom, Sandra's, favorite. Sandra is in
the audience and I never pass up the chance to chat it up with a charming and
beautiful lady. ----wipe the smile off your face ---. Aaron plays alone through a
64 bar intro that has everyone captivated by the music he has
generated. Aaron's pedal stand has enough buttons to fly a jet to New York
and all the nuance of sound that is possible. Jim's solo during this tune
makes my use of the word 'genius' a truism. Aaron wrote one titled "Rick
Rubin". It is a "BLUES". Not a BLUES as we are accustomed to
hearing. This is the BLUES for 2055. The rhythmic and melodic changes are
dramatic. The 2d set was no letdown. If anything it was even more exciting. The
play-list included "Raging Almonds" (for the Allman Bros.),
"Songs For the Nun", "Flux Capacitor", "Python
Dreams", "Emmalise" (for his niece), "Home-Screen" and
concluded with "Hendrix". No not for Jimi but rather for Aaron's dog.
At times Aaron & Eric are like musical Siamese twins ,exchanging ideas in a
constant flow of imagination. Jim often moves from ethereal to whimsical,
keeping your attention all the while. "Emmalise" is a soft, romantic
melody which easily engenders the holding a baby in your arms.
Karla, Rudolfo's girlfriend, is seated at Sandra's table (friends and family) and both are touched. "Home-Screen" opens with Jim producing unearthly, never heard before, sounds from his nordwave. He is playing the Yamaha Es as well. His and Aaron's solos are absolutely beyond description. The closer, "Hendrix" has Rudolfo displaying futuristic 'chops', Aaron and Jim trading 2's and some unison sections. Eric is showing his love of music and his instrument. -------- Wotta nite------ Thank you Aaron, Jim, Eric and Rudolfo for taking us on an musical flight to the future of JAZZ. Thanks to Arts Garage for their forward looking attitude. Than you Tracy (the real) Fields (91.3FM) for returning me to the present for the ride home.
Karla, Rudolfo's girlfriend, is seated at Sandra's table (friends and family) and both are touched. "Home-Screen" opens with Jim producing unearthly, never heard before, sounds from his nordwave. He is playing the Yamaha Es as well. His and Aaron's solos are absolutely beyond description. The closer, "Hendrix" has Rudolfo displaying futuristic 'chops', Aaron and Jim trading 2's and some unison sections. Eric is showing his love of music and his instrument. -------- Wotta nite------ Thank you Aaron, Jim, Eric and Rudolfo for taking us on an musical flight to the future of JAZZ. Thanks to Arts Garage for their forward looking attitude. Than you Tracy (the real) Fields (91.3FM) for returning me to the present for the ride home.
I realize after reading what I have just written that I have used every superlative I know. The performance is worthy of every single word.
Al's Disclaimer:
A short note: The reason I write this is because I love music and words. I do not book acts. I do not promote acts. I do not accept invitations to review artists. I go to venues of my own choice. When and where is not influenced by anything other than who I would like to hear that night or day. If I don't like what I hear, I won't write about it. When I like it I let you all know. I never mention a name without asking permission. "Pardon me, Miss. Would you like to dance?"
~ ~ ~
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